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Phantasmelodia: The Orphic Music Book among the pages of which lies a collection of sublime songs that titillate the soul, ignite the dreams, trigger the imagination and embrace the emotions.

What Else Is There - Röyksopp

June 28th 2008 08:49
The Understanding - Royksopp
The Understanding by Röyksopp

Interplanetary electronica, music that falls from outer space into wistful lyrics, a song that harbors a storm so artistically that the listeners might easily find themselves trying to find shelter from a tempest made of chaotic feelings.. These can be scattered poetic statements that might endeavor to describe Norwegian electronica duo Röyksopp's What Else Is There yet still fail to paint a picture. The song is that enthralling with frequent doses of underlying eeriness.


Taking their name from "smoke mushroom", Röyksopp was founded by Torbjørn Brundtland and Svein Berge. Brundlant united with ambient techno quartet Aedena Cycle, Volcano, Alanïa, Those Norwegians and Drum Island. Svein crossed paths with him along the way during 1996-1997 while he worked with Alanïa and Drum Island. The duo officially formed Röyksopp in 1998 and their debut album Melody A.M. came out in 2001 (initially released by Wall of Sound but re-released in 2003 by the elite electronica label Astralwerks; the duo also collaborated with Kings of Convenience lead Erlend Øye in two tracks). They embraced international acclaim and fame in the speed of light as the album sold 1.000.000 copies worldwide, received a Brit nomination for Best International Group, an MTV Europe Award for Best Video (with Remind Me) and enabled them to tour with Moby and do exclusive remixes for top notch artists such as The Streets, Coldplay and Felix Da Housecat. Various Röyksopp singles (that have the habit of ending up somewhere in the UK Singles Chart's top 50) were used in the commercials or promos of brands/companies such as Apple, BBC World, GEICO, T- Mobile, KLRU and Virgin Radio.


Along came The Understanding in 2005 with hit singles like Only This Moment, 49 Percent and What Else Is There which reached #1 in British Dance Chart. With its dark, ghastly video directed by Martin de Thurah, an award winning director, and featuring a fair haired woman (Marianne Schröder) gliding in the air over fields, roads and forests Röyksopp doubled the song's alien effect. The video is almost as famous as the track itself with its J-horrorlike elements. Although flooded with imaginary, tempestuous images resembling a dream sequence, it has the ability to makes one feel uneasy somehow.

The track opens its curtains with effects resembling an approaching electric storm and a tiny, crystal drop falling on the water. Although mainly standing on an electronica grounds, the song's moderate tempo and deeply echoing, gently sweeping structure quickly manage to create an enigmatic atmosphere enhanced by nordic, Bkörk-like vocals of Karin Dreijer Andersson of The Knife, a famous electronica act that won multiple awards at the Swedish Grammys and SAMA (Scandinavian Alternative Music Awards).

The cryptic lyrics are the final mystifying component with their veiled flow. Still, the song manages to convey a solitary journey (be it life itself or an emotional one) that is nearing an end most likely not anticipated.

"It was me on that road
But you couldn't see me
Too many lights on, but nowhere near here"

The middle of nowhere is a common square with adjacent neighborhoods such as confusion, uncertainty and questions where one finds themselves on occasion throughout their life adventure. Although it might sound belonging to adolescence, grown ups are faced with as complex and discouraging situations as the youngsters but the first rule of being a grown up is developing an ability to act as if one is not confused at all and faking they never feel forlorn in the crowd.

We come and go alone; everyone in between are our companies who also came and will go alone.

We try to be seen on that road and rarely find thorough understanding from those we await thorough understanding from. Hence,

"Road's end getting nearer
We cover distance but not together"

because although some walk in the same direction or on the same road, they do not walk it the exact identical way their companions do. Even if they follow each other's footsteps, their feet will not be of same size, for instance, or they will not be wearing the same shoes. Hence, the footprints they leave behind will not be same. Some walk faster while others have a slower pace, some take tiny steps while others take big ones... The distance that is covered is always highly individual.

"I don't know what more to ask for
I was given just one wish"

And the catchy ad phrase "One life, live it" shakes hands with the Latin phrase "Carpe Diem". Even if one believes in reincarnation, they are given one body and one story in this particular life. This body and story shall never repeat itself -- Make wise use of them both.

The lyrics might also reflect the end of a love affair and the many similes regarding a road, crash, explosion etc. might refer to a story of an accident. It does not matter how you take this electronica masterpiece. It has a treasure beyond lyrics that stems from human curiosity and the question they ask themselves at one time or another:

"What else is there?"


Ink Blots

Browse music videos online at IMEEM

Buy The Understanding online from Amazon

Meet the artist Röyksopp at // Royksopp.com //

Read the entire lyrics at Always on the Run
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Poem - Delerium
Poem by Delerium

A broken acknowledgment of a dying love, a qualm of conscience, a brutal emotional truthfulness and a disheartened look at the approaching loneliness have been intriguingly expressed in Innocente by the Canadian electronica band Delerium. This is one last inner confrontation before closing your eyes and accepting the full blow of emotional seperation.

The backbone of Delerium is Bill Leeb, an Austrian-born musician who moved to Canada with his family when he was 13 years old. Showing great interest in the experimental corners of electronica, Leeb joined Skinny Puppy, an industrial band from Vancouver, only to part ways with them to form his own band Front Line Assembly with Michael Balch. Later joined by Rhys Fulber, they became an underground favorite with tracks such as Digital Tension Dementia and Virus. Soonafter, Leeb and Balch formed a side project which they called Delerium and released their debut album Faces, Forms & Illusions. When, Balch left the project, Rhy Fulber joined Bill Leeb and stayed with him until after the release of the internationally-cherished, Karma.

Delerium has been collaborating with many sophisticated artists some of whom include Julee Cruise (known for her performance in various tracks from Twin Peaks Soundtrack such as "Falling" and "Into the Night" with Angelo Badalamenti & David Lynch), Sultana (the first female Turkish rapper who made her debut back in 2000, in a time when hip hop/rap was totally barren soil for female vocals, with an instantly successful and highly provocative song, "Kusu Kalkmaz"), Sarah McLachlan (for whom Delerium provided an "enigmatic" remix of "Silence"), Kirsty Hawkshaw (also a singer for DJ Tiesto & Opus III) and Leigh Nash of Six Pence None the Richer.

Leigh Nash made herself internationally acknowledged when Six Pence None the Richer released their "Kiss Me" in 1999. The single doubled its fame when featured in the popular TV series Dawson's Creek and the romantic comedy "She's All That". Nash wrote the lyrics and performed the vocals of Innocente for Delerium's Poem and returned 3 years later to partner with the band for their 14th album (12th, if you don't count the re-releases) Chimera. In 2007, their latest work together, Fauxliage, was released.

Innocente opens with emotionally rich and ethereal lyres that instantly create a dramatic and fantastic atmosphere but strikes surprisingly with a bitter picture right afterwards,

"You can't see my eyes
And they don't see yours
Hear me when I say
They don't mind at all"

The strangling honesty is the most difficult part when it comes to admitting feelings to oneself. At first, one tends to deny, suppress or ignore the fact that something is amiss and dysfunctional in their relationship. However, once the reality strikes, when the realization finally sets in, the truth is indubitable. No matter how drifted apart the pair might be, they actually don't mind it because they have already given up on each other. They just cannot admit it yet.

"It's the rain that I hear coming
Not a stranger or a ghost
It's the quiet of a storm approaching
That I fear the most"

The obvious is soon to materialize. There is no escape from it no matter how much one tries. There's an odd silence that has been lingering for sometime. The number of calls, the days spent together and the things that have been shared kept decreasing in number. So there comes that moment when one or the other picks up the phone to say, "I need to talk to you".

About?

"Well.. nothing I can explain on the phone. Can we meet in an hour/tonight/tomorrow if it's OK with you?"

So it begins... Although it is sensed, although it is unconsciously known, one faces oneself and ironically asks the questions in silent confrontation,

"Darling, when did you cry? I couldn't hear you
Darling, when did we fall? When was it over?"

It does not matter whether these questions find answers for themselves or not. All that matters now are the good times overshadowed by the bad. The blissful memories are remembered with a faint smile, a merciful pain breezes through the heart and the door closes behind as one heads toward the inevitable, thinking,

"I suppose it is the price of falling in love"


Ink Blots

Browse music online at IMEEM

Buy Poem online from Amazon

Meet the artist Delerium at Deleirum.ca: The Official Fan Site

Meet the artist Leigh Nash at Leigh Nash Music

Read the entire lyrics at metrolyrics
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