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Phantasmelodia: The Orphic Music Book among the pages of which lies a collection of sublime songs that titillate the soul, ignite the dreams, trigger the imagination and embrace the emotions.
Dirty Little Secrets - My Life With the Thrill Kill Kult
Dirty Little Secrets by My Life With the Thrill Kill Kult

Cigarette smoke swirls in the air and scatters under the dim light. The spell of the night is being woven as the music starts. Flesh begins to undulate to satisfy the hunger of man. Whispery vocals entwine a seductive bass walk, audacious beats, aphrodisiac saxophones and enticing key strokes. American industrial band My Life With the Thrill Kill Kult (abbreviated as TKK) tells the "you can look but you can't touch" story that starts as the sun sets with their hypnotic Wasted Time. It is a sneaky track that tickles deep down inside and awakens the hidden devils.


Chicago based musician and vocalist Frank Nardiello (aka Groovie Mann) came back from England (where he performed vocals for a goth band named Drowning Craze that recorded for 4AD. One of his band mates was Cocteau Twins' bass player Simon Raymonde) to team up with his friend Marston Daley (aka Buzz McCoy). They started shooting an autobiographical art movie named Hammerhead Housewife and the Thrill Kill Kult which would later become the inspiration behind TKK's name. Although they never completed the movie, they wrote and recorded songs for it regardless. These recordings caught the attention of new wave/industrial record label Wax Trax! and were released as an EP in 1987. Hence began the legacy of My Life With the Thrill Kill Kult which sure is among the most controversial bands in history with their cult songs. TKK's music that is based on predominant beats ranged from industrial to electronic, from disco to pop and rock throughout their discography. They stood out with their eclectic style together with their lyrics that depended on samples from B-movies. Throughout the 80s, they were considered as the pioneers of industrial music alongside others such as Ministry, KMFDM and Front 242.


The beginnings of the band were highly occult both lyrics-wise and as far as the artwork they used went. Their debut I See Good Spirits and I See Bad Spirits and second album Kooler than Jesus included supernatural elements, unconventional imagery and openly discussed taboo concepts like sex and drugs. This made the band an instant favorite of college radios and the nightmare of the "perfect parent". Titles such as "Universal Blackness", "Gateway to Hell", "Kooler than Jesus" and "Devil Does Drugs" were enough to stir the still waters and shunned by religious groups that labeled them as satanic (which was far beyond truth as one can imagine. Although they used paranormal and esoteric concepts in their music, TKK hardly ever promoted demonic worship of any kind).

Then came Confessions of a Knife in 1990, followed by their breakthrough album Sexplosion! which turned out to become the label's most selling album in its history and featured the alternative hit, "Sex on Wheelz". Having broken a leg with Sexplosion!, TKK moved on to a bigger label and released Above the Night & Hit on Holiday. They made 4 more studio albums (along with various compilations such as Dirty Little Secrets) until their last album The Filthiest Show in Town which came out in 2007.

TKK is also an avid soundtrack contributor, thus, one probably have been exposed to their music at some point or another without even knowing. Some of their tracks are featured in movies and TV series such as Cool World, The Crow, The Flintstones, BASEketball, Beavis and Butthead, CSI NY and Basic Instinct director Paul Verhoeven's box-office-disaster-turned-cu lt movie Showgirls.

Wasted Time is, most suitably, featured in this last film and sets its main idea as soon as the first lyrics are heard,

"She's gotta work it for the pleasure of the people"

The titillating aura of the song keeps building as it takes the listener to the intimate corners of the "dreamer's" mind (in this case, those who watch the stripper) and creating a notorious urge to waggle the feet if not directly sway with the idle tempo. The dancer casts her spell and exploits the fantasies of her audience just like a Femme Fatale or like a black widow feeding on her prey. The lyrics warn,

"Watch out:
You're just wasting your time
With her"


However, the hypnotized crowd has already forgotten time and space in her and she makes them skillfully loose their sense of time and space some more as she becomes one with the music, becomes one with each and every one and transforms into the only thing they want and need until the fade out.

Just before they could collect themselves, another song begins, another spell is cast... And this nocturnal tale reiterates until the first ray of the sun appears in the east....

...and until it begins again the following night.


Ink Blots

Browse music online at IMEEM

Buy Dirty Little Secrets from Amazon

Meet the artist My Life with the Thrill Kill Kult at Really Long Link

Read the entire lyrics at Non Album Tracks -- A part of Kooler than Ascii
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Coda & Roger and Me - Matt Uelmen

July 4th 2008 17:10
Diablo II Soundtrack - Matt Uelmen
Diablo II Soundtrack by Matt Uelmen

The legacy of Blizzard's everlasting game, Diablo, continues in Phantasmelodia with Coda and Roger and Me, two mellifluous tracks by Matt Uelmen that mark the end of Diablo II Soundtrack. This time the epic oboe tells the story of the victory of mankind while grieving flutes that open the song sing an elegy for a fallen hero whose heart was once young and pure.

However, traveling to the rotten depths of hell, being exposed to countless abominations whose plain sights corrupt human psyche no matter how courageous one might be and finally facing one of the prime evils of Underworld, Lord of Terror himself, had its grave consequences. The unnamed hero undertook a most blasphemous burden that would leave profane footprints behind as he/she traveled through water and sand. In order to hinder the evil from further corrupting the mortal planes, the hero contained the crimson soulstone (wherein the essence of Diablo was imprisoned initially) by carving the stone in his/her very flesh (forehead to be specific). By doing that, he/she presumed that he/she could control this demonic power from being released again.

Alas, the intent was genuine and clean! However, how can timeless evil be suppressed by a passing, ephemeral being whose lifespan resembles a grain of sand in a vast desert? The nameless hero thought that defeat meant being greater.

Not necessarily. Not necessarily, at all.

Many a times, success is a cul-de-sac with its intoxicating emotions of grandeur. It is through this deadfall, the heart, blinded by victory, is crushed under the weight of reality. By no means, the triumph should be underestimated. However, when overestimated, it is as deadly as the black widow. It spins its web around the ego of man and strikes when least expected. Ah, such an ironic sight it is, when one who had everything once is reduced to nothing. Unfortunately, that ironic sight is the very reason behind the fall of many kingdoms and empires throughout history...

...And history is a crude master, indeed. if you do not learn its lesson, it repeats itself in a vicious cycle, in the most deceptive, devious ways that one does not understand why such misfortunes keep finding them. History does not care about victims. It gives every victim a chance to be a hero of their own story. It is the victim in his victimized state of mind who cannot see that chance and repeatedly makes the same mistakes.

The unnamed hero had no intention of being a victim, yet, in a moment of fleeting superiority, he/she believed he/she could hold great ancient power within and in the end, paid a great price by falling prey to the demon he/she once defeated.

It is befitting to quickly tell the story of Diablo to those who meet him for the first time. Diablo, alongside his brothers Baal and Mephisto, is one of the Prime Evils that reigned the Hell until he was overthrown by the Lesser Evils. He and his brothers were banished to the mortal planes which caused a divine war between Heaven and Hell. The Horadrim, mortal magi forces of Heaven, captured the overthrown Prime Evils and imprisoned their essences into what they called as soulstones. One of these soulstones, which carried Diablo's essence, was hidden deep amongst the caverns under a cathedral. In the outskirts of this cathedral lied the little village of Tristram where centuries of generations passed oblivious to what lied beneath. Until there came a time when the power of the soulstone began to wane and Diablo's consciousness awakened. He reached out to find himself a puppet and in the corrupted mind of Archbishop Lazarus, he found himself a new toy.

Lazarus, whose strings were pulled by the Lord of Terror, kidnapped King Leoric' son, infant Prince Albrecht, to be used as a vessel for Diablo. This is when the good-hearted king lost his grip of reality and became prone to Lazarus' manipulation. The Archbishop first accused a nearby, greater kingdom of the kidnapping of little Prince and caused his King to send all his mighty warriors in a war that was destined to be lost. The remaining knights were led into the depths of the cathedral by Lazarus himself to (supposedly) rescue the Prince yet only a few managed to return to tell the unspeakable horrors they had to face. The terror Diablo caused in the heart of the boy caused the veil between the mortal and immortal realms to be torn apart hence, demons leaked into the world of Sanctuary to do Diablo's bidding. This is right where the original story begins with the unnamed hero returning to his/her hometown, Tristram, to find it overrun by sorrow and death.

Matt Uelmen continues to create a dramatic and alluring atmosphere with his music for Diablo II. This time, he is casting his hands on fully orchestral realms in order to pull the gamer deeper into the world of Sanctuary. Slovakian Radio Symphony Orchestra helps Uelmen melodify and enable his vision come alive in this sequel.

Many songs presented throughout the game are unique but there come moments when nostalgia strikes since Uelmen strategically reprises his unforgettable songs from original Diablo in his new compositions. Sisters and Wilderness are two songs that pay a modest homage to Town (Tristram Village) while Spider harbors snippets from Dungeon (The music played during the first 4 levels of Tristram's desecrated cathedral). Town can be listened in its original form when the hero from Diablo II revisits Tristram to rescue Cain the Elder. This mission is not only a sentimental return to the setting of original Diablo but also features cameos from what is left of characters such as Griswold and Wirt.

Alongside the above, there sure are other songs that carry the traces of Diablo's original score. However, they shall be left for the listener to discover.

Coda and Roger and Me are the last two songs from Diablo II Soundtrack. They adorn the very end of the game/soundtrack. Although they are two separate tracks, I combined them in one due to their complementary structure and one's merging into the other. The divine dance of soothing flutes, bardic 12-string guitar and mystic oboe is unmatched in form and style while the song reaches its finale with an excerpt from Town (Tristram Village), thus completing a cycle by returning to the very beginning of Diablo saga.


Ink Blots

Also related: Town (Tristram Village) - Matt Uelmen

Browse music online at IMEEM

Buy Diablo II Soundtrack online from Amazon

Meet the artist Matt Uelmen at Wikipedia
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Diablo Original Game Score - Matt Uelmen
Diablo Original Game Score by Matt Uelmen

The harmonious embrace of 12-string guitar and flute create a breathtaking, medieval aura which emits the colors of a most unforgettable tale about an old village named Tristram and the desecrated church within the nearby graveyard that spawns terror after terror upon its people. American musician Matt Uelmen captures the essence of this village and the sorrow it harbors beneath fear with his Town (also known as Tristram Village) and manages to climb and conquer the most arduous of musical peaks, ie. making a melody the trademark of a story.

Matt Uelmen was born and raised in South Bay area, LA. His musical background is mainly made up of private piano lessons he took as a kid but he regards the methods of his tutor highly. He then went on to take a few guitar and jazz piano lessons and basically walked on an instrumental path on his own. He states that he did want to take a solid musical education but "the musical department was non-existent" in his university. He also played keyboards in a bar band until he decided to make a demo tape and take it to every publisher in the Bay Area. One of those publishers directed him to a company named Condor which would later become Blizzard North (and where he would work for the next 11 years). He started working with the company after months of persistence and hopeful door-knocking. He still advices to all the budding musicians out there to be persistent to the point of wearing the other party down due to the competitive nature of "good gigs".

Uelmen worked with Blizzard Entertainment all through Diablo and Diablo II as well as their more recent worldwide success, World of Warcraft. All three games are considered gaming masterpieces on their own and Uelmen did not fall behind these legendary products at all since his music is always a perfect fit to the scene, neither falling too much into the background nor surpassing the franchise. His minimalistic but still musically and ambiance-wise fruitful Diablo score gave way to a fully orchestral composition with Diablo II as he worked with Bratislava Symphony Orchestra. For World of Warcraft, he composed various Ahn'Qiraj themes apart from the walk music of Naxxramas. His contribution to World of Warcraft: The Burning Crusade was even more significant with more than 3 hours of his mythical arrangements scattered within this first WoW expansion.

Blizzard officially announced that work for Diablo III has begun at Worldwide Invitational - Paris 2008 and confirmed the speculations that have been setting the Diablo community on fire since May. After 7 years of absence, the Lord of Terror shall return once again to cause suffering to the people whose plane he has long sought to claim. New heroes will rise from the ashes of the old and sword shall unite with sorcery in a battle to survive within the depths of degeneration. Diablo's presence will plague the mortal soil once again while his coming will be felt through his minions' foul breath lingering in the air. Dread shall strike the hearts of the weak while valor will fill the arms of the strong. The following is the official cinematic trailer of what awaits the gamer earthling:



Town (Tristram Village) opens with strong chords from a 12-string guitar, played by Matt Uelmen, himself. It instantly makes one feel as if listening to a bard in a shadowy inn lit by candles. The ghastly flute that is heard rising and falling throughout the track is a great representation of both the foulness that haunt the peoples of Tristram and their helplessness if not fear against this curse that befell them.

The guitar does not have a constant walk and its frequent change of pace gives the song a unique texture that manifests various emotions ranging from ardent and heroic to dramatic and emotional.

With many a colorful character such as Cain The Elder, Griswold The Blacksmith, Pepin The Healer, Adria The Witch and Farnham The Drunk (who can forget him?), Diablo is a timeless game that still has the ability to capture the player after 11 years of its original release and with its solemn Tristram that longingly awaits young and bold-hearted heroes.

"I can see what you see not.
Vision milky then eyes rot.
When you turn they will be gone,
Whispering their hidden song.
Then you see what cannot be,
Shadows move where light should be.
Out of darkness, out of mind,
Cast down into the Halls of the Blind."



Ink Blots

Browse videos online at Dailymotion

Browse music online at IMEEM

"Halls of the Blind" is an excerpt from "Book of the Blind" that sits upon a pedestal at the catacombs

Background information for Matt Uelmen complied via MobyGames, WoWWiki and RPGamer interview cache

Buy Diablo online from Amazon

Meet the artist Matt Uelmen at Wikipedia
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Everything is Never Quite Enough - Wasis Diop
Everything Is Never Quite Enough by Wasis Diop


The sultry waves of Africa fuse into a western breeze to give birth to one of the most eclectic downtempo tracks ever born. Guitar, silky vocals and sensual percussions dance in utmost harmony for Senegalise guitarist / musician Wasis Diop's Everything is Never Quite Enough and take the listener to the heart of a continent where man and nature have learned to co-exist without yielding to each other


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Into Dust - Ashtar Command

June 19th 2008 23:21
The O.C. Mix 6: Covering Our Tracks - Various Artists
The O.C. Mix 6: Covering Our Tracks by Various Artists

Base a song upon a mesmerizing guitar riff played as softly as possible and you are on your way to a relaxing plane. If your muse is really in its element, it can convey you a melody not only calming but also somewhat hypnotic when repeated over and over again. If that is the case and you have no intention of decorating your song with heavy orchestration, just the intense plainness of your melody and you, mumbling scattered lyrics of desperation then you have a haunting song. American dream pop band Mazzy Star's Into Dust is that song. It is rare, almost astral sounding and adorned with imaginary lyrics. Just when one thinks this song can't get any better, American alternative band Ashtar Command appears and takes it to an even more starry dimension. They so elevate an already dreamy song that the song becomes the dream itself.

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Age of Conan Hyborian Adventures Soundtrack - Knut Avenstroup Haugen
Age of Conan: Hyborian Adventures Soundtrack by Knut Avenstroup Haugen

Mythical drums roll to embrace lyrical strings and an angelic voice so as to weave an epic for the emerging heroes, the rise and fall of kingdoms and the ascension of Robert E. Howard's Hyborian Age for the XXI century common man. Composer Knut Avenstroup Haugen and Norwegian singer Helene Bøksle join forces in The Dreaming: 'Ere the World Crumbles... which is an introductory imprint in the world of soundtracks. It is one of those rare entrees that triumphantly ready the listener's ears for the breathtaking musical abode that is to come.

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Breathe Me - Sia

June 3rd 2008 18:42
Color the Small One - Sia
Color the Small One by Sia

A penetrating piano tune that finds its way into the heart as it is joined by naive lyrics and balmy strings. Australian performer and songwriter Sia's Breathe Me is a bitter confession, a humble plea and a coy disclosure of insecurity, all combined in a serene 4 and half minutes. The piano captures the soul, the lyrics kiss the heart and the subsequent strings caress the body.

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Virgin State of Mind - K's Choice

May 29th 2008 13:49
Buffy the Vampire Slayer - The Album - Various Artists
Buffy the Vampire Slayer - The Album by Various Artists

Moony flutes merge into children laughter that reverberate in the distance as perplexed lyrics play with the listener... Virgin State of Mind, Belgian alternative rock band K's Choice's contribution to Buffy the Vampire Slayer - The Album, creates a relaxed ambiance that contradicts with the lyrics yet perfectly suits the scene it was featured in the popular TV series.

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Alice - Cocteau Twins

May 28th 2008 11:08
Lullabies to Violaine Vol.2 - Cocteau Twins
Lullabies to Violaine Vol.2 by Cocteau Twins

A song that equals a dream, scattered images that rise and dissolve like smoke, imperceptible figures in the mist, a desolate longing, the tears of which dampen the pillow during sleep. Tears that will have dried by the morning and be long lost in the night. Alice by the Scottish alternative rock band Cocteau Twins have it all. It is not easy to explain this track because the muse who had inspired it is so fragile and so unearthly that it does not provide a meaning. Almost like a shy Tinkerbell, she touches one on the shoulder, takes them to an angelic dimension for a split second, fills them with precognitive visions and disappears.

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Iris - Goo Goo Dolls

May 27th 2008 16:40
Dizzy Up the Girl - Goo Goo Dolls
Dizzy Up the Girl by Goo Goo Dolls

Dramatic cellos, embracing guitar riffs, chivalrous strings and devoted lyrics... Goo Goo Dolls' Iris is all you could expect from a striking ballad and some more if you've watched the movie it was written for and featured in. City of Angels told the love of an angel who sacrificed his wings and became a a mortal man to be with the woman he loved. Need I say more?

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Bitter Sweet Symphony - The Verve

May 24th 2008 17:59
Urban Hymns - The Verve
Urban Hymns by The Verve

With its lush, illustrious strings that are no less than haunting, Bitter Sweet Symphony is the magnum opus of the British alternative rock band, The Verve. It is a solemn scorn about the materialistic order of the world and an ironic praise on being true to one's self regardless.

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Quixotic - Martina Topley-Bird
Quixotic by Martina Topley-Bird

A tempting bass, a seductive beat and lyrics that frown upon the double dealer contribute to the sensual Sandpaper Kisses of Tricky veteran Martina Topley-Bird. Featured in her first solo album Quixotic which was released in US lacking three tracks and under the title Anything, Sandpaper Kisses is a soft-spoken song that lowers the lights wherever one might be. It was also featured in the successful video/PS2 game Fahrenheit (Indigo Prophecy) as it plays on the stereo while one of the main characters, Carla Valenti, hangs around in her apartment.

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Colorblind - Counting Crows

May 18th 2008 20:40
This Desert Life - Counting Crows
This Desert Life by Counting Crows

Featured in the Cruel Intentions Soundtrack, Colorblind is an exceptional ballad of emotional appeal from the American rock band Counting Crows. If their hit single Hanginaround is the high quality, precious diamond of their third album This Desert Life, Colorblind is the rare, round pearl. The lyrics are coy yet deep while the sound remains minimalistic, almost as simple and pure as the feeling of loneliness, itself.

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Inner Universe - Yoko Kanno

May 16th 2008 23:39
Ghost In The Shell: Stand Alone Complex Soundtrack
Ghost In The Shell: Stand Alone Complex Soundtrack by Yoko Kanno

Our "inner" odyssey continues with Inner Universe from the spin-off anime series Ghost In The Shell: Stand Alone Complex. This time, we are faced with an experimental (both lyricswise and melodically) piece belonging to Japanese composer/arranger/musician Yoko Kanno who is a respected and renown artist with a discography including major scores for spectacular series such as Cowboy Bebop (worth mentioning because it is famous for its use of music in particular), Macross Plus and Wolf's Rain. The song features Russian singer Origa, who also wrote the lyrics with Shanti Snyder, as the female lead vocals. Another featuring artist is the boy soprano Benedict Delmaestro who is known for his contribution to Lord of the Rings soundtracks.

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Kiss of the Dragon: Symphony for Isabelle
Kiss of the Dragon: Symphony for Isabelle by Craig Armstrong

Our journey begins as we are pulled into the dream-like 4 minutes of As If You Said Nothing by the Scottish composer Craig Armstrong. Originally a track from Kiss of The Dragon Soundtrack, this potent song begins weaving its magic as soon as the bass intro gives way to the magical strings (Armstrong is famous for his string arrangements examples of which include Madonna's Frozen & The Power of Goodbye and Massive Attack's Weather Storm and Heat Miser) that ebb and flow throughout the chanting piece.

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